Whirlybirds and the Manifest Destiny

by Ron Vreeland

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1.
how heavy lies this crown upon my brow regardless of the majesty allowed i own a robe with colors that confound in your light the chroma can be found you don’t seem to mind the tide that comes rolling in behind fourteen years won’t seem to stay when a year is as a day and my reputation, a respectable veneer that never lets a confidant draw near this counterfeit lies just beyond your reach designed to hide the things that lie beneath you don’t seem to mind the tide that comes rolling in behind fourteen years won’t seem to be when my Rachel waits for me my Rachel waits
2.
Apparition 03:57
these visions are so fleeting, they might be the end of me and you seem to have a way, a way with my memory i’m not sure which of me is true, baby it’s just you across the universe, hey it might be worth the wait and these paper cups are filling up with an endless rain what a marvelous ambition to pursue, baby it’s just you don’t you realize your value? a collision of the simple and the true don’t you realize your value? an afterimage bending all the rules the few and far between, minus the view: baby it’s just you an apparition coming into view, baby it’s just you
3.
Attaboy 05:39
serenade, and all your music falls upon my ears of late renegade, your revolution failed but you’re still wide awake attaboy, you can learn to live with your mistakes attaboy, you don’t need to save the world you made today colonnade, these failures wait to stare you right back in the face promenade, and tripping over all the words left in the way you renegade, your revolution failed but you’re still wide awake attaboy, you can learn to live with your mistakes attaboy, you don’t need to save the world you made today you don’t need to save the world today it’s not that way
4.
i had an extra spring in my step, all the stars aligned i had all these cylinders firing in time everything around me was so in tune until i lost the sight of you i had all these answers, buried underneath i could navigate these waters so easily so tie this string around your wrist as a friendly reminder if you don’t resist you will just lose the attire, but why did i ever look away? why did i ever lose that string? if you don’t look twice to save a life, it never fails to prove your point and now i’m running short on lifeline you know that there was a time when my life was tied to the wheel and my course was charted left of what was real so tie this string around your heart as an informal cue that you should always think before you speak as a rule, but why did i ever look away? why did i ever lose that string? if you don’t look twice to save a life, it never fails to prove your point and now i’m running short on lifeline as a token of my never ending grief, you can always tie a lifeline to me if you don’t think twice to save a life, it never fails to prove your point and now i’m running short on lifeline
5.
Reeds 04:49
all these lines in the mirror, and on my face…the story is the same and though i’d rather lie, this mirror has a name and broad is the road i’ve chosen to climb with sincere apology, the narrow undefined such a bruise that fell upon these reeds, trembling in the wake and though they falter in breeze, they will never break he won’t let them break and i feel that these wounds may never heal yet i see that he restores the reeds he restores the reeds
6.
i would tell you all the truth if the timing was right and my heart is on display underneath this pastel sky and all these words you speak and the air that hangs between what you said was true all these words they ring true the day i know you’re mine all the trains will run on time now press with all your might against the changing tides my heart is open land for these castles made of sand and what you said was true all these words they ring true you can leave at any time just don’t read between the lines
7.
Interlude 02:25
(Instrumental)
8.
Whirlybirds 05:39
ask her and she’ll tell you things are different photographs adorned in sepia tones outside there’s a current flowing upwards whirlybirds are searching for a home lately i resemble more the statue marbled to convey a stately pose inside there’s a current flowing northern whirlybirds are looking for a home august, if you please, wake me when the maple bends kindly do allow me some more time to mend august, if it seems, that all is what it should have been i’ll turn my collar to the wind on the porch there lies an empty shoe shaken of the dust that worried you gliding forward, steady as she goes whirlybirds are trembling in the throes august, if you please, wake me when the maple bends i hope you will allow me some more time to mend august, if it seems, that all is what it should have been i’ll turn my collar to the wind we were always at the mercy of the wind
9.
Honeycutt 05:04
click your heels, and think of home we will stretch these arrows as far as they can go now don’t look back, from where we came these rolling hills are calling out your name and soon you’ll see that there’s nothing left to fear now that honeycutt draws near oh, you can’t mistake the feelings that permeate this place hey, i don’t mind if we drive on down this road a while it’s funny how these dots and lines can always ease my mind until I see that there’s nothing left to fear now that honeycutt draws near oh, you can’t mistake the meanings that are found within this name so let me please, won’t you let me please let me please be the one to change your name
10.
(Instrumental)

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released December 10, 2014

Whirlybirds and the Manifest Destiny

Players:
Ron Vreeland: Guitars, Vocals, Keys, Percussion
Walter Yurgel: Bass (1, 2, 3, 4), Chapman Stick (10)
Chad Kesser: Bass (5, 6, 9)
Matt Olsson: Drums (1, 3, 4, 6, 9)
Marc Thomas: Percussion (3, 5)
Gordon Davies: Background Vocals (9), Percussion (4, 5, 9)

All Music and Lyrics by Ron Vreeland
Album Artwork by Juniper Designs
Produced by Ron Vreeland and Gordon Davies
Engineered, Mixed and Mastered by Gordon Davies
Recorded at Whirlybird Studios, Singletrack Audio, The Backroom Studios, and The Barber Shop Studios, NJ
Mixed and Mastered at Whirlybird Studios and Singletrack Audio, NJ

www.ronvreeland.com
www.whirylbirdstudios.com
www.gordon-davies.com

Special Thanks:
Rhoda Vreeland for support and impetus; Mark Salamone at The Barber Shop Studios; Kevin Antressian at The Backroom Studios; Steve Messina of Blow Up Hollywood for initiative and encouragement; Gary Cherone for inspiration; Mothership for support and feedback; The Killer Jellyfish for reinforcement; Gordon Davies for pushing me along; all of the friends and players who helped bring this to fruition...

Most of all...special thanks to you for listening!

All Music Copyright 2014 The Second Sequel Productions

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